Ellison, Harlan,
--The Sword of Parmagon, 1949. (The Cleveland News, 1949.)
--The Gloconda, 1949. (The Cleveland News, 1949.)
--The Wilder One, 1955. (OSU Sundial, 1955.)
--The Saga of Machine Gun Joe, 1955. (OSU Sundial, 1955.)
--Glowworm, 1956. (Infinity SF, February, 1956.)
--Life Hutch, 1956. (If, April, 1956.)
--S.R.O., 1957. (as by Ellis Hart in Amazing, March, 1957.)
--Lonelyache, 1964. (Knight, 1964.)
--Punky & the Yale Men, 1966. (Knight, 1966.)
--A Prayer for No One's Enemy, 1966. (Cad, 1966.)
--In Lonely Lands, 1959. (Fantastic Universe, January, 1959.)
--The Time of the Eye, 1959. (The Saint, May, 1959.)
--Grail, 1981. (The Twilight Zone, April, 1981.)
--I Have No Mouth, and I Must Scream, 1967. (If, March, 1967.)
--Corpse, 1972. (F & SF, January, 1972.)
--The Whimper of Whipped Dogs, 1973. (Bad Moon Rising, 1973.)
--The Voice in the Garden, 1967. (Lighthouse, 1967.)
--Erotophobia, 1971. (Penthouse, August, 1971.)
--Mom, 1976. (Silver Foxes, 1976.)
--Ecoawareness, 1974. (SideShow, 1957.)
--The Outpost Undiscovered by Tourists, 1981. (F & SF, January, 1982.)
--Dept. of "What Was the Question?" Dept. 1974. (original)
--Dept. of "Trivial Pursuit" Dept. 1972-1986. (F & SF, 1972-1986.)
--The Very Last Day of a Good Woman, 1958. (as The Last Day, in Rogue, November, 1958.)
--Valerie: A True Memoir, 1972. (The Los Angeles Free Press, 1972.)
--The Other Eye of Polyphemus, 1977. (Cosmos, November, 1977.)
--All the Birds Come Home to Roost, 1979. (Playboy, March, 1979.)
--The Tombs, 1961. (excerpt from Memos from Purgatory, 1961.)
--"Our Little Miss," 1970. (The Los Angeles Free Press, 1970.)
--A Love Song to Jerry Falwell, 1969, 1975, 1984.
--Telltale Tics and Tremors, 1977. (Unearth, 1977.)
--True Love: Groping for the Holy Grail, 1978. (as How I Survived the Great
Videotape Matchmaker, in Los Angeles, 1978.)
--Adrift Just Off the Islets of Langerhans: Lattitude
38o 54' N. Longitude 77o 00' 13" W, 1974. (F & SF, October, 1974.)
--The Sky Is Burning, 1958. (If, August, 1958.)
--The Prowler in the City at the Edge of the World, 1967. (Dangerous Visions, 1967.)
--Along the Scenic Route, 1969. (as Dogfight on 101, in Adam, August, 1969,
and in Amazing, September, 1969.)
--The Song the Zombie Sang, 1970. (with Robert Silverberg in Cosmopolitan, December, 1970.)
--Knox, 1974. (Crawdaddy, March, 1974.)
--From Alabamy, with Hate, 1965. (as March to Montgomery, in Knight, 1965.)
--My Father, 1972. (The Los Angeles Free Press, 1972.)
--My Mother, 1976. (Saint Louis Literary Supplement, 1976.)
--Tired Old Man, 1975. (Mike Shayne Mystery, January, 1976.)
--Gopher in the Gilly, 1982. (Stalking the Nightmare, 1982.)
--Strange Wine, 1976. (Amazing, June, 1976.)
--The Resurgence of Miss Ankle-Strap Wedgie, 1968. (Love Ain't Nothing but Sex Misspelled, 1968.)
--Flintlock: An Unproduced Teleplay, 1972. (original)
--The Man on the Mushroom, 1974. (Ellison Wonderland, 1974.)
--Somehow, I Don't Think We're in Kansas, Toto, 1974. (Genesis, 1974.)
--Face-Down in Gloria Swanson's Swimming Pool, 1978. (Los Angeles, 1978.)
--Soldier, 1957. (as Soldier from Tomorrow, in Fantasic Universe, October, 1957.)
--The Night of Delicate Terrors, 1961. (The Paper: A Chicago Weekly, 1961.)
--Shattered Like a Glass Goblin, 1968. (Orbit 4, 1968.)
--At the Mouse Circus, 1971. (New Dimensions I, 1971.)
--Free With This Box! 1958. (The Saint, March, 1958.)
--Final Shtick, 1960. (Rogue, August, 1960.)
--One Life, Furnished in Early Poverty, 1970. (Orbit 8, 1970.)
--Jeffty Is Five, 1977. (F & SF, July, 1977.)
--Daniel White for the Greater Good, 1961. (Rogue, March, 1961.)
--Neither Your Jenny Nor Mine, 1964. (Knight, 1964.)
--Alive and Well and on a Friendless Voyage, 1977. (F & SF, July, 1977.)
--"Repent, Harlequin!" Said the Ticktockman, 1965. (Galaxy, December, 1965.)
--Pretty Maggie Moneyeyes, 1967. (Knight, 1967.)
--A Boy and His Dog, 1969. (New Worlds, April, 1969.)
--The Deathbird, 1973. (F & SF, March, 1973.)
--The Thick Red Moment, 1982. (Future Life, 1982.)
--The Man Who Was Heavily into Revenge, 1978. (Analog, August, 1978.)
--Driving in the Spikes, 1983. (Los Angeles, 1983.)